Following some comments I’ve received, I thought a note might be in order, on the aesthetic behind the black & white Etosha landscapes I posted last week. In deciding how to process and frame the images, I was very conscious of not wanting to produce the ‘Wuthering Heights’ effect, or even the Ansel Adams – I wanted to avoid the tropes of nature’s grandeur, its wildness, ruggedness, ‘otherness’ etcetera. When you look at the landscape in Etosha, especially around the Salt Pan, where we were, there’s nothing there. That’s the whole point, really. You really have to look to see it. And that’s what I wanted these pictures to show.
You know which photographs I mean, right? Its the series that includes this one.