Seville Cathedral stands on the site of a great mosque, built by the Almohads in the 12th century. It is the largest cathedral in Europe. Its bell-tower, La Giralda, was in its original incarnation a minaret, on top of which were erected a Christian belfry and Christian symbols.
You climb La Giralda not by stairs but via an internal ramp, built so that horses could ride to the top. As you climb, the views – of the cathedral, of Sevilla unwinding itself beneath you – are not to be missed.
The sense of the ages, the consciousness of ancient and multiple histories and cultures, the sheer drama of the spectacle, call for images in black and white. But the bright Andalucian skies, the warmth of the sun on the old stone, demanded colour. Take a look at these photos of the pigeon, looking out from a ledge: they are the same image, but how different in tone, mood, message!
The bells and the lattice-work, I think, because graphically so strong, work powerfully in black and white:
But when it comes to the view of the tower itself, I am torn, between the strong diagonals of the one view, and the warm tones of the brick and stone, in the other.