We took the road via Setenil from Ronda before joining up with the A384 en route to Granada. The back roads took us through rugged, heat-seared, spectacular country, dotted with little white towns with Olvera, pictured, offering dramatic views as we approached.
Needless to say, we drove up into the town, parked, and explored. We were on holiday after all.
More images to follow.
As with the other pueblos blancos we visited, Ronda, with its cobbled narrow streets, its whitewashed walls, its tiled roofs, its plazas and churches, its sun-soaked vistas, lends itself both to colour photography and to black and white.
Partly it’s a matter of taste and preference; more importantly, it’s a choice of expression. These images, for instance, worked just fine in colour, but in black and white have something quite different to say to us – or to me, at least.
Following on from my previous post, here are two colour interpretations of the Plaza de Toros in Ronda. In contrast with the drama and rawness of the black and white image, I’ve softened the tones, and emphasised the pillars and the curve and flow of the structure to give a different sense of the enclosure and what it means, or might mean, to those who come here for an afternoon’s entertainment.
I wrote in an earlier post that the decision to present an image in colour or in black-and-white was partly, perhaps, a matter of taste and preference, but more profoundly, a question of interpretation.
Here are two otherwise identical images of the Plaza de Toros – the bull-ring – in Ronda, which illustrate the point. Which do you prefer – and more importantly, why?