Flamenco at the Restaurant Cinque in Ronda

In Sevilla we heard, live on stage, in a modern, airy, wood-panelled auditorium, the fabulous flamenco guitarist Paco Jarana: a wonderful masterclass that blew us both away. To see flamenco dancing, however, we went to Ronda, to the Restaurant Cinque on the Paseo Blas Infante – a small, dark stage, with three red chairs for the handclapper-singers and the guitarist and just space enough for a single flamenco dancer.

The guitarist was not the great Paco, by any stretch, but he was pretty good; the singers and hand-clappers, likewise, were not in the league of Paco’s accompanists, but what they had was the raw intensity and the enthusiasm that the performance demanded.

And the flamenco dancer – offstage, just a slight, ordinary-seeming young woman – on stage, commanded your absolute attention. Entering silently, down a darkened staircase, she stepped out into the light, and from then until the show ended had us utterly entranced – no, not just entranced, completely riveted.

I chose on this occasion to take the Leica D-Lux, not the Nikon, as the Nikon would have been too large and intrusive. I asked if it was okay to take photographs and was told yes, so long as I didn’t use flash.

Here are some of the results.


Ronda – Scenes in Black & White

As with the other pueblos blancos we visited, Ronda, with its cobbled narrow streets, its whitewashed walls, its tiled roofs, its plazas and churches, its sun-soaked vistas, lends itself both to colour photography and to black and white.

Partly it’s a matter of taste and preference; more importantly, it’s a choice of expression. These images, for instance, worked just fine in colour, but in black and white have something quite different to say to us – or to me, at least.

Colour interpretations – Plaza de Toros, Ronda

Following on from my previous post, here are two colour interpretations of the Plaza de Toros in Ronda. In contrast with the drama and rawness of the black and white image, I’ve softened the tones, and emphasised the pillars and the curve and flow of the structure to give a different sense of the enclosure and what it means, or might mean, to those who come here for an afternoon’s entertainment.

Plaza de Toros, Ronda (compare and contrast)

I wrote in an earlier post that the decision to present an image in colour or in black-and-white was partly, perhaps, a matter of taste and preference, but more profoundly, a question of interpretation.

Here are two otherwise identical images of the Plaza de Toros – the bull-ring – in Ronda, which illustrate the point. Which do you prefer – and more importantly, why?